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It takes skill to portray a real person on screen. One such work is Kannan Iyer's Aw Watan Mere Watan, which stars Sara Ali Khan as Usha Mehta. Despite his prior success with Ek Thi Daayan, Iyer's effort with Sara Ali Khan is inadequate and falls short.

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Ae Watan Mere Watan Movie Review:

 It can be difficult to accurately portray a person's life on screen. One of two things can be accomplished: either they can make a movie that will be remembered as a masterpiece of cinema history, such as Christopher Nolan's Oppenheimer, which is based on the life of physicist J Robert Oppenheimer, or they can follow in Kannan Iyer's footsteps. The biographical drama Ae Watan Mere Watan, directed by Iyer, who previously gave us the amazing Ek Thi Daayan, is based on the life of Usha Mehta, who is credited with founding the Congress Radio during the Quit India Movement in a pre-independent India. For want of a better phrase, the movie, which stars Sara Ali Khan, can just be described as - deficient.

AE Watan The biographical drama Mere Watan tells the story of Usha Mehta (Sara Ali Khan), a brave young lady who was instrumental in the 1942 Indian independence movement. She started an underground radio station during the Quit India movement to promote solidarity and opposition to British authority. Mehta's courageous deed set off a furious hunt by British officials, which resulted in an exciting chase during which she battled to raise the voice of freedom.

Sara, who recently starred in the Homi Adajania murder mystery Murder Mubarak, adopts the role of the Khadi-clad heroine in this story, standing up for Swadesh and yelling "Karo Ya Maro" whenever the opportunity arises. Sparsh Srivastava's Fahad and Abhay Verma's Kaushik provide her with strong support. The three must battle their inner and outer demons in order to fulfill their dream of an independent India as they become entangled in the inner workings of Congress and the struggle for freedom, which is sparked by the horrors being carried out by the British Raj.

On paper, Ae Watan Mere Watan seems like a gripping war story, but the on-screen action isn't particularly exciting. There's a clear unhappiness throughout the story, and there's no genuine feeling of urgency in the discourse. In the meantime, the actors do their best to deliver an engaging performance within the parameters of their limited role. Abhay and Sparsh (who we previously saw in Laapata Ladies) play the ideal counterpoints to Sara Ali Khan's Usha, who attempts to convey the fervor of a young woman who frequently participates in liberation movements out of her hatred of the Raj. Sparsh deserves special recognition because he is already displaying flashes of brilliance. Alexx O'Nell, who plays British intelligence agent John Lyre, is the other compelling actor.

The officer sent to take down Congress Radio. With his little screen time, O'Nell adds just the right amount of guile and evil schemes. Not much can be said about Emraan Hashmi in his role as the legendary Ram Mohan Lohia.

Ae Watan Mere Watan's poor pacing and incapacity to establish a sense of conviction in the story cause it to lag in the first half. Each of the three actors who are most involved in the story has a sluggish character journey as the plot meanders at its own pace. But the true action in Ae Watan Mere Watan happens in the second half, when Congress Radio and the British Intelligence Officers play a game of cat and mouse as they try to outsmart one other.

Regretfully, it seems like the adrenaline surge comes too little, too late.

In an attempt to save his shoddy script, Iyer transforms Mehta's tale into a celebration of the bond between a father and daughter who have become estranged, while also infusing it with a hint of nationalism through allusions to heroes who have vanished from the annals of time and history a term he refers to as "Gumnaam." It remains to be seen, though, if it will be sufficient to save your time and attention, dear reader.